Saturday 31 October 2020

October Summary -- A Long Look Back

This month I looked back, and summarized all the BLOGS I maintained of our big art projects in the last decade ("the teens").




The BLOGS

*****

2009 - 2012

We learned to paint buon fresco from scratch. Gonzalo Espinosa, originally from Mexico, painted several frescoes with me, culminating with the big wall fresco at the Sculpture Resource Center in Tucson in 2011.



2012 - 2015

I was the "Gallery Tyrant" for these first two Tucson Sculpture Festivals, and helped produce the latter two as an "Art Agitator." (Disclaimer: The Tucson Sculpture Festival started in 2010, two years before I got involved).





2009 - 2019

I have documented various Day of the Dead events in Tucson, El Paso, Albuquerque and Oaxaca during the last decade.

In 2012 we recreated the poster image by Michael Contreras of the previous Tucson "All Souls Procession" from 2011, down to the little girl pulling a buggy with a calavera.  The yellow flag (the color of the New Mexico flag) spells out "SRC" in Mayan, for the "Sculpture Resource Center."  Martin Quintanilla anchored and inspired the crew from the "Sculpture Resource Center" to parade in this colorful line.




PRINTMAKING
2013 -2020

I have been involved with a lot of printmaking projects in the last decade.

 
TALK AND SHORT VIDEO

Pavel Acevedo invited me to talk this month during his Instagram live stream (sponsored by Speedball).  I encouraged artists -- to continue passing their prints back and forth across the Mexican border -- as we did in the Ambos Lados International Print Exchange.



I made a short YouTube video for Pavel's live stream, of some of the highlights of our print adventures of the last 5 years.



2015 - 2020

the Desert Triangle Print Carpeta catalog


From 2015 - 2020 we have been exhibiting the "Desert Triangle Print Carpeta" -- including in the El Paso Museum of Art -- right up until the Covid 19 pandemic.  The Desert Triangle is a portfolio of 30 large prints from El Paso, Tucson and Albuquerque.  Besides exhibiting in those aforementioned cities, we showed in -- Portland, Riverside (California), Silver City (New Mexico), Las Cruces, Austin, Houston, Chicago, Palm Beach area (Florida), Mexico City, Puebla and Oaxaca.





EL PASO


TUCSON


The Desert Triangle Print Carpeta spun off a lot of other great print exhibitions, such as -- Prints by Southwest -- in 2017 at the South Broadway Cultural Center in Albuquerque.

ALBUQUERQUE



Perhaps the most beautiful and elaborate experience is what happened in Austin in 2018.  The day after the Desert Triangle opening, the two participating Desert Triangle art collectives painted an impromptu mural on the side of the Mexic-Arte Museum.  Later that mural was enhanced with augmented reality by David Fig, in time for SXSW. Then we had a serigraph edition made of this mural at Taller 75 Grados in Mexico City -- this print of course, also works with the Augment El Paso app!




We exhibited my Mexican print collection at the El Paso Museum of Art during "Chalk the Block" 2017.




2018 - 2020

the Ambos Lados catalog


We put together the Ambos Lados International Print Exchange, with 158 participating artists split pretty evenly from both sides of the border, namely from the US and Mexico (plus contributions from Canada, Cuba, Ireland and Australia).









2014 -2017

the YayBig Print Exchange catalog


I also worked with Joe Marshall and his gallery in Tucson for the YayBig Print Exchange, a follow up from the YayBig Southwest touring exhibition.



2013 -2016

the YayBig Southwest Print Collection


I started by working with Joe Marshall in order to show the prints in his YayBig Gallery across the Southwest -- Tucson, Phoenix, Las Cruces, Las Vegas (New Mexico), Albuquerque, El Paso, San Antonio and Brownsville (Texas). We toured as one night pop-up exhibitions under the title of YayBig Southwest.



FLICKR FOTOS
2007 - 2010

Before blogging I posted my art progress on Flickr.





ARTIFICIAL INTELLIGENCE
Looking towards the Future

Art may be very different after Covid in that AI (artificial intelligence) could change everything.  I have been experimenting with AI programs online, and recently participated in AIKPHRASIS, the AI project of Holly Grimm.



Update (Nov 3):  The Aikphrasis Project was accepted for the NeurIPS Creativity Workshop, December 11 and 12, 2020 (schedule website).  Holly Grimm summarized all 18 submissions into a one minute video on Vimeo:





I am always altering and coloring my figure drawings with the online free AI program by Google -- Deep Dream Generator.





Mexico City 1989

My old friend Fausto Igor Galvez Buenfil sent me this picture from our old days at the Academia de San Carlos, located in the center of Mexico City (the only royal academy in the New World, and also the oldest art school in this hemisphere).  This was taken about 1989, in the studio of of our instructor, Maestro Luis Perez Flores. In the background is my large canvas painted from the roof of that art school (though the figure is from a model reference book).





While I have been working well with Mexican artists for over 3 decades, I was distressed to learn that the Canadians don't consider me an artist.

I discovered the above Canadian TV show at an art lecture at SOMA in Mexico City, given by a Spanish artist in 2015, Jorge Luis Marzo.

Maybe I can aspire to be a driftwood sculptor, like Len Tukwilla (played on SNL by John Malkovich).  Or art in the style of Portlandia.


October blog posts:

Day of the Dead (past)

I participated and enjoyed a lot of Day of the Dead events in the last decade, in Tucson, Albuquerque, El Paso and Oaxaca.




2009
TUCSON

The first Tucson "All Souls Procession" I went to was in 2009, when I followed the Calliope float by the "Sculpture Resource Center" and Mark David Leviton.




2011
* TUTAN KAMOTE *
TUCSON

In 2011 Martin Quintanilla built a large skull for the "All Souls Procession" in Tucson at the "Sculpture Resource Center" -- called  TuTan KamotePlus Xerocraft hackspace also paraded a large skull.





  • Playlist of TuTanKamote at the "All Souls Procession" in Tucson 2011 (including a cameo of the large Xerocraft skull).



2012
TUCSON

The "mini-All Souls Procession" in 2012 started from the house of Sue Johnson, the founder of the Tucson "All Souls Procession," and proceeded to the Tucson Museum of Art.


Mini-Procession


The relatively new Xerocraft hackerspace also paraded a large skull for the second year, at the Tucson "All Souls Procession" in 2012.

Xerocraft Hackerspace




Sculpture Resource Center




We used the photo below of the 2012 "All Souls Procession" to the Tucson Sculpture Festival 2013 as Martin Quintanilla's sculpture.





We showed the Desert Triangle Print Carpeta in Mexico City, a few days before the Day of the Dead in 2015, for the 32nd Anniversary of the serigraph studio Taller 75 Grados.
 

(Mexico City)



2017
ALBUQUERQUE

Henry Morales showed his prints at the South Broadway Cultural Center for the Day of the Dead exhibition in 2017.




2018
Ambos Lados International Print Exchange

The prints were due on Day of the Dead in 2018 for the "Ambos Lados International Print Exchange," but Manuel Guerra extended the deadline to December 15th.



2019
El Paso
 

Colectivo La Ultima Hora brought large puppets from Mexico City for the first Day of the Dead parade in El Paso -- Desfile de Alebrijes.






Colectivo La Ultima Hora also created the floats for the opening Day of the Dead parade in Mexico City for the James Bond movie Spectre.





Federico Villalba put on a nice Day of the Dead exhibition in downtown El Paso in 2019Colectivo La Ultima Hora of Mexico City also contributed some sculptures to this exhibition.




Manuel Guerra contributed a print to the El Paso show, and also to the Day of the Dead exhibition at the South Broadway Cultural Center in Albuquerque.


(Albuquerque)


We also had a Desert Triangle Print Carpeta opening at the Las Cruces Museum of Art during the Day of the Day in 2019.


2020


UPDATE (November 15, 2020):

Because of the Covid 19 pandemic, this year the South Broadway Cultural Center in Albuquerque put out a video of their annual Dia de los Muertos exhibition  in lieu of an opening.  The altars and video were curated by Augustine Romero.




Also contributions by: