My final "milk carton" print,
with Irma Reyes Almanza looks on
Of course, I could not have done it without the help of Samuel Diaz Gaona and Irma Reyes Almanza, who are in charge of the MAPECO printmaking studio.
They had both submitted to the Ambos Lados International Print Exchange, and brought in 12 more printmakers to the exchange. That is why Manuel Guerra, Marco Sanchez, and I went down there to meet them.
Milk cartons (Tetra Pak)
unfolded, almost ready for etching
The "milk carton" material
was taped to cardboard support.
I then drew on it with a ball point pen,
pressing hard to make deep grooves for etching
My "plate"
ready to ink
Samuel Diaz Gaona, head of the printmaking studio,
has been there since the mid 70s.
He wiped the Sanchez ink off my "plate"
with cotton material (not a tarlatan)
Finer wiping with newsprint
The inked
"milk carton plate"
Fresh off the press
The print
next to the "milk carton plate"
I had previously taken a milk carton drypoint workshop with Ren Adams, at Remarque Print Workshop in Albuquerque, in November 2017.
OTHER TECHNIQUES AT MAPECO
They also unfold aluminum cans,
tape them to cardboard,
and use them as plates for low cost etching
A collagraph technique
was to cover plant material with aluminum foil,
to create a low relief for inking and printing
Every print studio needs a cow in the back yard
We were very impressed with the MAPECO printmaking studio in Uruapan, Michocan! They recycled packaging material (like milk cartons and aluminum cans) to make cheap printmaking plates. They painted shellac on those plates to achieve different values and textures. They printed on local handmade paper, made from water lilies (water hyacinth). They made large relief prints on cheap brown kraft paper, for wheat paste print exchanges -- and pasted those prints up in Cheran, the small self-governing village in Michoacan that ran out the police and the drug lords.
Unfortunately Michoacan currently suffers from violence, as 19 victims died in Uruapan the week after we left.
UPDATE: Some of those printmaking processes were demonstrated at Remarque Print Workshop in Albuquerque, during their Open House on September 21st, 2019. They have been using the aluminum foil collagraph technique, and milk carton techniques before, but I brought in some Tetra Pak milk carton material, which they were using in Uruapan.
demonstrating printmaking techniques,
on September 21st, 2019
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