Monday, 11 December 2017

December 9, 2017

Drawn in the Argos Gallery of Santa Fe:

I drew from the same pose on 2 copper plates, and etched and printed them in the Argos etching workshop that afternoon and the next day.  The first plate was prepared with a soft ground; the second plate was prepared with a red BIG ground (such as this plate).


SOFT GROUNDS

Soft ground etching (15 minute etch),
with aquatint background (2 minute etch)

Ghost print of the above


Martin Weber
Soft Etching Ground


Applying the soft ground to the plate,
and placing on a hot plate


Rolling the soft ground on
with a brayer


Letting the copper plate cool,
below the hot plate

The next day I drew from the model, with a 4B lead (probably) in a lead holder, on newsprint paper, over the copper plate coated with the soft grounds.


I taped the copper plate to a board;
and also the top of the newsprint to the same board


The lead holder with a dull 4B lead,
also note the tape on the bottom of the paper


The final newsprint drawing


Pulling the newsprint away.
one can see the marks in the soft ground


The soft grounds left a nice sepia drawing
on the reverse side of the newsprint


The plate was etched in ferric chloride


After the etch, there was a test to see if the acid bit enough into the plate.  A small section of the soft ground was taken off, and a needle was placed on the plate to feel for relief.

Testing the etch


The plate was inked with 
black Gamblin etching ink


Viola! Printed!


First stage print


AQUATINT

After the figure was covered in a resist, "stop out," an aquatint resin was applied.

Plate with "stop out"


Shaking on the rosin dust,
from a ball of dust inside panty hose nylons


Melting the aquatint rosin
on a hot plate;
note the telephone book paper below,
to protect and keep the contact paper
on the back of the copper plate
from peeling off


Etching for 2 minutes


Soaking the plate in alcohol
with a piece of newsprint on top
to better hold the solvent on the "stop out,"
making the "stop out" easier to remove


Inked


Highlights were taken off with a sharp Q-tip
(this did not work)


The plate and the prints



MIXED HARD GROUNDS

On the second copper plate, I first etched with the red BIG grounds, and then applied traditional ball grounds, smoked the plate, and drew and etched again. Read about the process here.


that made the above etching


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